A Naiad 水仙女
Painting Date: 1893
Medium: Oil on canvas
Size: Unknown
Location: Private Collection
About the painting: Also known as 'Hylas with a Nymph'.
“水之仙女剛剛上岸,她從樹干的縫隙中窺看裹著豹皮的熟睡的青年。畫面中幾乎無處不在的紅色和綠色的對比(俗稱紅配綠)被湖水反射出的藍色減弱,并呈現出相當的協調”
(引自本圖1893年展覽時Henry Blackburn 所寫的注釋)
The Lady of Shalott 夏洛特女子
Painting Date: 1894
Medium: Oil on canvas
Size: 142 x 86 cm
Location: City Art Gallery, Leeds, England
根據丁尼生的The Lady of Shalott:
She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
St Cecilia 圣賽西莉婭
Painting Date: 1895
Medium: Oil on canvas
Size: 46 x 77 in
Location: Private Collection
圣賽西莉婭生活在約公元前230年,她因發誓終身信仰基督教并保持貞節而聞名。圣賽西莉婭節是11月22日。
本圖1895年展出時附有丁尼生的The Palace of Art中的詩句
'In a clear walled city on the sea.
Near gilded organ pipes - slept St. Cecily'.
沃特豪斯嘗試用本圖傳達某種中世紀的感覺,而他也的確做到了。富有裝飾性的畫面,還有一點宗教畫的味道。幾乎沒有現實主義和日常生活的痕跡。
Hylas and the Nymphs 海拉斯與水仙女
Artist: John William Waterhouse
Painting Date: 1896
Medium: Oil on canvas
Size: 38 x 64 in
Location: Manchester City Art Galleries, Manchester, England
赫庫勒斯乘船到達塞歐斯島,赫庫勒斯的伙伴海拉斯上岸尋找水源,海拉斯找到了泉水,但水仙女們愛上年輕英俊的海拉斯,把他帶入她們的世界。
碧色的湖面,美麗的水仙女,看似零亂實則精心安排的植物,使詩意在畫面上緩緩流動。
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